Cameraraw Adobe
Adobe has released Camera Raw version 9.1.1, adding Raw support for the, and among others. Support for the Pentax K-3 II's Pixel shift Resolution mode is also added. Per a yesterday, this will be the last update for CS6 users. Either edit with such as Capture One which uses PS6 as a plugin in type editor OR export TIF and process in PS6, OR from within PS6 use integrated RAW conversions with such as Photoninja, will keep standalone PS6 viable and full functioning with new cameras.
Uses PN instead of ACR for RAW's.Very simple workflow changes, excellent RAW conversions and works very easily.Nothing to worry about. There are easy and excellent ways to keep your standalone PS6 viable for new cameras for a long time.I don't have PN anymore, so cant verify that right now, but here is the link for the PN Raw with CS6 option.
Some notable cameras made it just under the wire.On the ILC front, you have the extremes with the Phase One IQ3s and the Pentax K-3 II (and Panasonic GX8).I suppose it's appropriate for budget-minded Pentax shooters who are hanging on to CS6. The next DSLR they should release will be more expensive, with much more expensive lenses. So once you go that route, I think you can pay for the CC subscription.I doubt Phase One shooters will have this struggle. Half of them rent it, so why not rent the software too! Lightroom Fixes:Bug Fixes:-Unable to merge files to HDR.
Camera Raw Adobe Premiere
In this release, we’re making Profiles more discoverable by changing how you access them. In Lightroom Classic CC and Adobe Camera Raw, we’ve moved profiles from the Camera Calibration panel to the Basic panel and we’re now adding them into Lightroom CC (on Macintosh, Windows, iOS, Android, and ChromeOS) at the top of the edit panel.We’ve also greatly expanded their capabilities with six brand new Adobe Raw profiles, over 40 new Creative profiles, and an all new Profile Browser that lets you quickly compare and select the best profile for your photo. Camera Matching profiles, which were previously available in Adobe Camera Raw and Lightroom Classic, are now available in Lightroom CC. Furthermore, we’ve also started working with a number of top preset creators to enable them to create their own unique profiles, some of which are available today. What are Profiles? In photography and digital imaging, the term “profile” can mean many different things. There are color profiles, display profiles, printer profiles, working profiles, and so on.
Within ACR and Lightroom, a profile is used to render your photograph, converting it from raw camera information into the colors and tones that we see.For raw photographs, we build profiles for nearly every camera make and model we support (our enables camera manufacturers to build their own profiles). With this release, we’re adding six brand new Adobe Raw profiles, complementing the tried-and-true Adobe Standard. Adobe Raw profiles have existed for as long as Adobe has made raw rendering software (the first version being the plug-in version of Adobe Camera Raw in 2003). In ACR and Lightroom Classic, Adobe Standard was the lone Adobe Raw profile available, and within Lightroom CC (including the iOS, Android, ChromeOS, and Web versions), Adobe Standard was there and used, but you couldn’t change it. Now, we’re introducing six brand new Adobe Raw profiles, and providing access to them within ACR, Lightroom Classic, and Lightroom CC (including on the iOS, Android, and ChromeOS versions).All of the Adobe Raw profiles, from Adobe Standard to the six new profiles, were created with the intention of providing a unified look and feel, regardless of which camera was used. This can be incredibly helpful when upgrading from one camera to another (you won’t have to spend a ton of time figuring out how make your new photos match your personal style) or if you’re using multiple cameras for the same shoot, you won’t have to worry about some photos looking totally different from the others.Adobe Standard was designed to be a great starting point for your photos that would enable you to get the most of out them while editing, however it was also created nearly ten years ago. Over that time, we’ve learned a lot about what photographers want and have gotten great feedback on how we can make an even better starting point.
From all of this feedback, a new default was born: Adobe Color.Adobe Color was designed to greatly improve the look and rendering of warm tones, improving the transitions between certain color ranges, and slightly increasing the starting contrast of your photos. Since Adobe Color is the new default (but only for newly imported photos), it was designed to work on the widest range of photos and ensures that regardless of the subject, your photo will look great.Adobe Monochrome has been carefully tuned to be a great starting point for any black and white photograph, resulting in better tonal separation and contrast than photos that started off in Adobe Standard and were converted into black and white.Adobe Portrait is optimized for all skin tones, providing more control and better reproduction of skin tones. With less contrast and saturation applied to skin tones throughout the photo, you get more control and precision for critical portraiture.Adobe Landscape, as the name implies, was designed for landscape photos, with more vibrant skies and foliage tones.Adobe Neutral provides a starting point with a very low amount of contrast, useful for photos where you want the most control or that have very difficult tonal ranges.Adobe Vivid provides a punchy, saturated starting point. More accessible Camera Matching ProfilesCamera Matching Profiles were one of the most powerful raw tools found in Adobe Camera Raw and Lightroom Classic CC, but also one of the most difficult to find. Now, they’re easier to find and available for the first time in Lightroom CC. We created the Camera Matching profiles to match the different options often found in your camera, making it possible for you to match the color and tonality of your raw file with what you saw on the your camera’s LCD or the JPEG rendered by your camera, as closely as possible.
The options available for any particular photograph will vary, depending on which camera the photo was captured with. All new Creative Profiles. The profiles found in the four Creative profiles groups: Artistic, Black & White, Modern, and Vintage can be applied to any photo, both raw and non-raw. The Creative profiles were designed to create a look and feel in your photos and provide even more control thanks to the inclusion of a 3D Lookup Table (LUT) that can be included within a profile. LUTs have often been used by Photoshop and video professionals to add a color grading effect to the photo, with more options and precision than were previously possible in Lightroom. Creative Profiles also provide a new Amount slider, enabling you to increase or decrease the effect, tuning it to your taste. 3rd Party ProfilesWe’ve worked with a large number of 3rd party preset makers to help them create profiles, and a number of them have made sets available already.
If you’re interested in exploring ways of expanding the range of Creative profile options, be sure to check out one of the companies below.Lightroom Classic CC UpdatesIn addition to the new profiles, the incredibly powerful Dehaze control is now more accessible within the Basic Panel, the tone curve panel size has expanded for more precise adjustments, and we’ve optimized our face-tagging algorithms for more accurate detection of faces. For even more details and an overview of bug fixes, read the. Lightroom CC Desktop UpdatesBeyond the profiles improvements, Lightroom CC for Macintosh and Windows has added support for network attached storage (NAS) devices as well as a new filter option, enabling you to filter by sync status.
For even more details and an overview of bug fixes, read the. Lightroom CC iOS Updates. Details tab providing sharpening and noise reduction options to adjust photographic detail.
Grain options to introduce realistic film grain. Enhanced control over Lightroom CC Web shares, providing the ability to enable downloads, showing metadata, and location information on shares made to lightroom.adobe.com. Support for latest cameras and lenses found in the Adobe Camera Raw 10.3 release (the full list of cameras and lenses supported by Lightroom can be found at )Give us feedback!Once you’ve updated, don’t forget to leave us feedback about your experiences. The quality of the Lightroom ecosystem wouldn’t be what it is today without our passionate and loyal customers around the world. Giving us regular feedback helps us to find and fix issues that we may otherwise not know about. We are listening.Here are a few ways that you can provide feedback:. Report bugs and suggest features for.